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The dress has a floral and geometric print in ... Azzedine Alaia White & Taupe Stretch Pleated Dress - 8. This dress is in very good condition with minor general wear all over.
That’s even more important than the collection.” He takes a breath. It’s a human thing.” It’s clear why he was chosen. Her first takes, though, came out in Monroe’s whispery flutter. “In my heart I wish I’d had a few more days to say goodbye.” Still, she went on to deliver a firework of a performance, dispatching at least ten Spectre villains in the space of 12 minutes on a lavish replica set of Havana, Cuba.
Italian Mini Dress
It sets the tone.” As shot by Roversi, they became silhouettes of pure light, almost ethereal. Compare prices and shop ALAÏA women's dresses across 500+ stores in one place. Azzedine Alaïa's body-con designs defined the aesthetic of Paris in the '80s. Today, revered for his originality and innovation, Alaïa maintains his title of 'King of Cling'. The brand's intricate footwear, statement bags and laser-cut belts will elevate any look to new fashion heights.
That year, Willem Dafoe was playing a foul-mouthed oil-rig worker, a heroin-addicted mother and a nun – all in the same play – when Kathryn Bigelow took a seat in the audience one night. The experimental works staged at the scrappy space in SoHo had more in common with the no-wave shows happening around the corner at the Mudd Club than with polite theatre uptown. Plundering all genres, they were loud and freewheeling, incorporating looping video projections, actors shouting over pre-recorded audio, technicians in full view, occasional nudity and, once, Dafoe in the role of a living chicken heart. Another dress, in graphic perforated cotton layered over a black and white print, looks like an architectural trompe l’oeil.
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Most importantly, Alaïa was a visionary when it came to traditional notions of femininity and sexuality. At a time when loose, soft silhouettes were the norm, Alaïa’s sexy, waist-cinching hourglass and body-con outfits were shocking. VA And in our ecosystem, there is no sort of discipline, and that’s what makes it unique. As long as there’s space for these ideas to exist – your music project, whatever I do – I’m happy and confident, you know?
So I just spent all of my time with her and carried her around everywhere, and temporarily kidnapped her from her parents.” They would go grocery shopping and make pancakes. At the end of many scenes where she was carrying her in her arms, Qualley wouldn’t be able to tell if Whittet was pretending to be asleep or was actually so relaxed she had nodded off. Azzedine Alaïa was a storyteller, a raconteur par excellence. Mulier is delighted by one account of him spending an exorbitant amount on a coat by Paul Poiret – an inspiration for bloused backs on dresses and coats, with a 1911 feel, caught in low around the thigh. They’re influenced by a coat from 1985, which not only shapes the gently curved tailoring but also appears in the show.
s Vintage Alaïa Bodycon Black Mini Dress V Neck
Between taking our order she reports back to her colleagues in hushed tones that she is serving “Zoë’s table”. Not the archetypal Brooklynite couple reclining in the park on the overwhelmingly humid mid-July day, who only break from gazing at each other to stare as we stroll past post-lunch. Not the two hipster bros who whip their heads around at breakneck speed on Williamsburg’s Bedford Avenue as she walks back to her home nearby. In 2021, Qualley got her wish, starring in the Netflix smash hit miniseries Maid, based on Stephanie Land’s 2019 memoir of her time spent working as a cleaner to support her infant daughter after the break-up of an abusive relationship.
An expression of downtown New York’s melting pot of music, culture, clothing and nightlife that was the backdrop for its creators, its hype-generating design foreshadowed what was to come in fashion, both literally and figuratively. In First Light, a woman sits in the mud by the water dressed in a deconstructed corseted dress in softest pink with an asymmetric skirt in layer upon layer of raw-edged tulle. Said skirts are well and truly muddied, then, and this too is an image that evokes quintessential McQueen. The raw and the refined, the old and the new, the elemental and the urban, the fragile and the strong. Those contrasts – paradoxes – are central to the house’s handwriting. Scott’s home state of Texas served as an inspiration – it was, coincidentally, the first place in America that Christian Dior himself visited, in 1947, a bit of Dior folklore that connected now to then.
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“An ode to Azzedine, who was the greatest sculptor of fashion,” Mulier says. “The idea behind it is to put Azzedine – as the greatest sculptor of fashion – with the greatest sculptor in the world.” He smiles. “And also, everybody talks about collaboration … but you cannot go higher than Picasso.” He shrugs. Mulier was an unexpected appointment to Alaïa, announced about three and a half years after the founder’s death in November 2017.
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